The crest ornaments
Two flat blades rising from the helmet, to make the wearer tall and known at a distance on a field.
A museum object on a plain ground: point at any part and the museum's close-up of it appears.
The same content as the picture, as text: every part and what it says when you open it.
Two flat blades rising from the helmet, to make the wearer tall and known at a distance on a field.
A bowl of iron plates riveted together, with a gilt crest at its front.
Flaps folded back on either side of the helmet, faced in gilt and white, meant to turn blows aside from the face.
A lacquered iron mask with a moustache of hair. It protected the face, and gave the helmet's cords something to tie against.
Rows of lacquered plates hanging from the back and sides of the helmet.
Laced plates hanging from the mask's chin, closing the gap above the chest.
Broad panels of laced plates hanging from the shoulders, which took blows meant for the arms.
Fabric sleeves armoured with mail and plates of lacquered iron, gilt at the elbow, ending in gauntlets for the hands.
The body armour: rows of small lacquered plates laced together with dark blue silk, flexible enough to bend at the waist.
Panels of laced plates hanging from the waist to cover the hips and thighs. Seated, as it is displayed here, they spread wide.
Lacquered iron over the knees and shins, each knee carrying a gilt crest, tied on below the knee.
The picture under this example is the museum's photograph of the whole armour. Armor (Gusoku), Japanese, 19th century, by Jo Michitaka. Iron, lacquer, silk, gilt copper. The Metropolitan Museum of Art, Gift of Harald de Raasloff, 1915 (15.120.1a-o). Photograph CC0, via the Met's Open Access programme.